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Featured Bio: |
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Julian Edwin “Cannonball” Adderleyb. 9/15/1928 (Tampa, FL(– 08/08/1975 (Gary, IN) (African American Heritage)
“Combining styles of earlier influences with his own unique twists secured Julian “Cannonball” Adderley’s place
in history as an experienced alto saxophonist who was fearless in exploring fresh musical styles. Born in
Tampa, Florida on September 15, 1928, Adderley was welcomed into a musical family that would play a key part
in his success as a performer. His father, already a jazz cornetist, introduced him to music, contributing
to Adderley’s familiarity with band performance by the age of 14. In high school he continued to study reed
and brass instruments and formed his first jazz group with his band director as his advisor. Upon graduation
from high school, Adderley became band director at Dillard High School in Fort Lauderdale where he taught music
for several years while also playing with his own jazz group on the side from 1948 to 1950. After enlisting
in the Army in 1950, he led the 36th Army Dance Band and later a second Army band from 1952 to 1953. During
this time he also studied at the U.S. Naval School of Music.
Adderley was persuaded to move to New York in 1955, where he made an instant impact on the jazz scene after
joining his brother, Nat, and forming a quintet that toured until 1957. He then joined Miles Davis and
proceeded to make some of the most notable jazz recordings of the 1950s. He remained with Davis until
1959 when he toured as a featured soloist for George Shearing’s big band. At the end of that year Adderley
rejoined his brother to form a new quintet fostered by the influences of Davis, Charlie Parker, and Benny
Carter. For 15 years, Adderley used the experience he gained with Davis to mold the quintet into a colorful
combination of fusion, post-bop, and soul jazz, the latter with which he was most commonly associated.
Although many viewed these transformations as solely for commercial gain, some critics demonstrated their
appreciation for the sound by referring to Adderley as the “new bird” and crediting his style to the
influence of Parker.
By the 1970s Adderley played soprano saxophone and taught and lectured on his life passion of jazz.
His nickname Cannonball evolved from “cannibal,” which illustrated his immense eating capacity.
Julian Cannonball Adderley died from a stroke while performing onstage in Gary, Indiana on August 8,
1975.” (Sullivan). |
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Advertisement for Congress of Racial Equality's Jazz Album, ca. 1960 Brochure advertising the Congress of Racial Equality's all-star jazz 2-record album for half the price. Proceeds from sales help the CORE treasury bail out jailed demonstrators, conduct CORE workshops and organize African-American voter registration drives. |
Cannonball Adderley at home with his father J.C. looking at phonograph records in Tallahassee. |
Cannonball Adderley Quintet playing sell-out concert at FAMU in Tallahassee. |
1960 (circa) |
1969 |
1969 |
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Cannonball Adderley Quintet playing sell-out concert at FAMU in Tallahassee. |
Unidentified boy with Cannonball Adderley at his father's home in Tallahassee. |
Cannonball Adderley playing sell-out concert with his band at FAMU in Tallahassee. |
1969 |
1969 |
1969 |
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